WHAT TO MISS WHEN by Leigh Stein is available now!

Cover design and animation by Michael Salu (houseofthought.io)

Cover design and animation by Michael Salu (houseofthought.io)

On the heels of last summer’s hit novel Self Care, Leigh Stein’s long-awaited second poetry collection (and fifth book) is out now! What to Miss When is a 21st-century Decameron about pop culture, mortality, and the internet, written during the Coronavirus pandemic. You can order it here or from your favorite indie bookstore.

Leigh spoke about the book on NPR’s Morning Edition, and we’re doing an event tonight with Brooklyn Poets on what it was like to write and edit an entire poetry collection during the first six months of the pandemic.

Across social media, readers are describing What to Miss When as "a cathartic, playful, devious little read," what would happen if "Inside by Bo Burnham was an episode of Gossip Girl," and "a sometimes-chilling, sometimes-hilarious time capsule of a year that none of us saw coming... It feels like laughing with a friend after the end of the world."


THIS TIME CAPSULE HOLDS:

Panic kept on you at all times like a passport

Boccaccio's Brigata and the Brat Pack

Malaise confessed in sexy baby voices

Perfume spritzed inside plague-doctor mask

Cringe as onomatopoeia

A mermaid gown of Clorox wipes

Juicy thoughtcrime thrown to a tiger

Post-it stating, Body positivity, ever heard of it?

The last Achilles of the twentieth century

Even the most virtuous with their breeches on their heads


“I am so thankful for [Stein’s] brain—and these poems.” —Emily Burack, Alma 

“In her dazzling new collection, Leigh Stein has managed to create art from the mess of modern life, with poems both elegiac and flippant in equal measure . . . She manages to imbue each poem with just enough levity to keep the reader from losing hope. I cannot recommend this collection highly enough.” —The Voracious Bibliophile

What To Miss When is hilarious and absolutely horrifying. If you think the quarantine habits you developed are unique and charming, read this book to be put in your place. But I beg of you, gift that to yourself, it’ll make you feel less alone. ‘I’m a feminist, I got the memo,’ is Stein’s perfect disclaimer when shouting the things so many of us are afraid to even whisper. It’s a specific kind of book that helps us remember how things were, that serves as a map for our children to understand why we are the way we are. This book is one of them.” —Olivia Gatwood, author of Life of the Party

"Early on, the speaker says she 'must be some basic bitch to click / ‘Decameron and Chill?’ in Town and Country,' and we know we’re in for a ride through the pandemic that has some 'mischief' in it. It’s this mischief, Stein’s relentlessly refreshing humor about the 'new normal'—equal parts rueful self-deprecation and excoriating cultural critique—that makes this book such a worthy artifact of the American experience of the pandemic." —Jason Koo, founder and executive director of Brooklyn Poets

“Initially, you may think these poems are witty. They Are. Upon reflection, you may decide these poems are piercingly honest reflections of contemporary desires, run headlong into a plague year. They are. In the dark of a sleepless night, you may feel that these poems saw through your ironic façade and got at something deeper. They did.”—Keith Mosman, Powell's Books (Portland, OR)

Rumpus retirement, Dream Pop publication, and a sweet newsletter shoutout

After four years working on Rumpus Original Fiction, I've decided to step down to focus more on my own writing. Upon ROF's inception in 2013, I served as an Assistant Editor briefly under Andrew Foster Altschul and then under Jessy Goodman before stepping into the role of Editor in 2015. ROF first ran as a feature in a phone app called The Weekly Rumpus, then ran stories on the site and in a monthly newsletter called the Book Report, and now runs solely on therumpus.net.

I'm proud to have showcased such thought-provoking, funny, touching, bizarre stories over the years, and to have published so many first-timers in the fiction world, including PEN Award-winner Amy Sauber, C. A. Carey, Kamil Ahsan, Lauren Friedlander, Siobhan May, and Jason Phoebe Rusch. Thank you for trusting me with your words and visions.

I'm grateful to Rumpus staff, particularly Marisa Siegel and Lyz Lenz, and to all of the slush readers I've worked with. Very excited to see what Karissa Chen—the new Fiction Editor—and Dennis Norris II (Karissa's assistant and a host of Food 4 Thot, one of my favorite podcasts :P) have up their sleeves!

The sea of red is violent and sensual; the surrounding text a well-known tale of overt and overly masculine narratives that do little good in the name of women; the poem, a small thread, rising from these backdrops and finding its own self, unapologetically.
— Andrew Sargus Klein

In writerly news, two of the erasure poems from my On the Road series are up at Dream Pop Press! All of Issue #2 is up here, with a direct link to my pieces here. There's a nice write-up about "she apologized" up at wildness, an imprint of Platypus Press. The full article is available here.

Poet/memoirist/novelist/BinderCon founder/everything doer Leigh Stein featured me in her newsletter, The Finishing Touch, this week: "How to write even when you're not writing." Leigh's letter is all about strategies to both produce and finish creative work. I talked about editing by hand and priming my subconscious to revise for me during the day while I drive, do other work, and live my life. I'm not sure if it's possible to get in on the letter that just went out, but if you're as jazzed on creativity strategies as I am, you can subscribe for future letters on Leigh's website.