IT'S HER DAY: Cosmic Tantrum is out now!! 🔮 ⚡ 🖤 ✨ 🪐

(cross-posted from my substack)


At long last, pals! Today, Cosmic Tantrum materializes—fully formed—on the earth plane. If you’re a traditional observer of this holiday, you’ll of course want to make a ceremonial visit to your local indie bookstore, or support one online.

To see all the nice things other people have said about it so far, you can peep the homepage of my website.

To help me ~*~spread the good word~*~ you can share this post 😊

Brooklyn book launch!

New York pals, you can celebrate with me in person next Saturday, February 22nd (that’s 222, for the angel number girlies) at Brooklyn Poets, along with AngieDoe, Lauren Milici, Megan Pinto, Lena Moses-Schmitt, and Leigh Stein! Full deets here. Tickets here. Hope to see you there!!

I’m cooking up some more events, both in person and virtual, so stay tuned for further deets.

AWP folks: I will be there!

Northwestern University Press is hosting a mixer event on the evening of Thursday, March 27th, and I will be signing books at NUP’s booth on Saturday, March 29th, from 1:00–2:00 pm. Come say hey!!

Tarot blog at NUP

Northwestern University Press kindly asked if I might revive “books as tarot spreads” and do one for Cosmic Tantrum. If you want to see why I think she’s the Eight of Swords, The High Priestess, and The Fool, have yourself a little clickety click.

To mark this momentous day, I asked a few Cosmic Tantrum–themed questions to author-friends of recently published and forthcoming books:

  1. What does a "cosmic tantrum" mean to you? Have you ever had one?

  2. What would your child self think about the life you lead now?

  3. In what ways does your writing allow you to shape-shift, transform, play, or otherwise bend the "normal" rules of engagement?

& here are their responses!

Steven Duong, author of the just-released At the End of the World There Is a Pond (W.W. Norton, January 2025)

  1. I love the title cosmic tantrum, the phrase, have loved it since I first heard it from you... In my mind it feels like an origin story, an explanation for the existence of life. Some entity had a cosmic tantrum and now here we are. Tantrum is such a good word. It's like pettiness and rage and illogic and all-outness. Not sure I've had a cosmic one myself, but hopefully one day...

  2. I think my child-self would be pleased about how much of my adult life still revolves around play. Video games and D&D and that kind of make-believe he always loved, but also poetry and fiction writing, also playing music and playing with my dog and crafting things and making art. There's a lot of work, which I think he expected, but there's so much play.

  3. Correct me if I'm wrong but rules of engagement is a military term, no? Like the proper gentlemanly etiquette with which to face your opponents on the battlefield? I kind of love that lol—slightly aggro, but it's fun to conceive of the writer's relationship to writing (or one's readers) as combative, because sometimes it feels that way! I think when you begin to write in strict forms (sonnets and ghazals are my personal fave), you can feel the constraints of those forms as the “normal” rules of engagement at first, but once you're comfortable on the field, hitting your marks, finding your footing, you’re able to scope out new angles, and idk, tell it slant, a little? Guerrilla tactics? When I write in form, I want most to construct this thing that feels like a true and even exemplary iteration of the form, but also something off-kilter, something that's ~technically~ put together correctly, but moves with its own weird gait. It's also something I really admire in songwriting. Bob Dylan's on the mind of late (thanks Timothee), and it's something he does so well—making these songs that so clearly know and respect the traditions of folk and rock and the blues and this sort of American songbook or whatever, but feel also slightly (and sometimes much less slightly) slant, strange, outsider, a bit rabid or fucked in the head in the best way.

Edgar Gomez, author of High-Risk Homosexual and the just-released Alligator Tears (Crown, February 2025)

  1. It’s like when all the planets start beefing with each other and their fighting sends angry vibrations through the galaxy and when they reach earth they enter a human and that human goes the hell off for any little reason. Yes, I have like three cosmic tantrums every time I go to the airport.

  2. I’d think like, “Wow, you got really gay, huh?”

  3. I write for high school me, who was so shy and scared of being thought of as a weirdo or a freak for being queer that I was always looking for somewhere to hide. My writing is me giving myself permission to take up space, to play with performance and have people meet me on my own terms.

Lena Moses-Schmitt, author of True Mistakes (University of Arkansas Press, March 2025)—out next month!

  1. To me, a cosmic tantrum conjures two things—either:

    a) a long dark night of the soul, in which you toss and turn in an existential sweat for hours, recalling every horrible or embarrassing thing you've ever done or that's been done to you, before finally falling asleep an hour or two before your alarm is set to go off—only to somehow wake up with a renewed lease on life;
    or
    b) a short rage-fueled run where you get all of your anger out of your body by beating your feet against the pavement.
    In either instance, the emotional fit has to be so powerful that it mysteriously transforms you—that's the cosmic part of the cosmic tantrum.

  2. I think she would be happy and relieved to know I'm still regularly doing the things that she loved to do—writing, drawing, reading books—and that I found a way to make them part of my life! I love this question—I think it's a good sign that my life tends to look sweeter and more rose-colored through the eyes of my child self. Yes, she is just a child. But she is more generous and simple (compliment!) than I am.

  3. For me, writing—and especially writing poetry, of all things!—is inherently an act of doing all of the above. It's a way of stealing time, wasting time, slowing it down, speeding it up, and inhabiting it differently; of living in multiple places or times at once. It's a form of pretending and dressing up and dressing down and allowing myself to be stranger and more dramatic than I feel like I can be in my regular life. And, to reference your second question—I do think it forces me to put on the eyes of a child again, so that the world can be more bizarrely (i.e. accurately) perceived. I know all this sounds a bit woo woo but—I also think all of that is the strength of poetry, especially in a world that constantly devalues it.

Taylor Byas, author of I Done Clicked My Heels Three Times and the forthcoming Resting Bitch Face (Soft Skull Press, August 2025)

  1. A cosmic tantrum to me is when I'm sort of raging with the universe, feeling like nothing is going the way I want, and then the universe hears me complaining and shuts me up by proving why things weren't supposed to go my way. I've had PLENTY.

  2. My child self would be in awe of the life I live. Even though I was comfortable for most of my childhood and I was raised by a highly successful mother, I just never imagined that I would be where I am today, getting to follow my dreams and spend this life doing what I love. It is such a privilege. So many people don't get to follow their dreams. Younger me would be so proud.

  3. Poetry is so cool because we get to cartwheel up and down the line between fiction and reality. Writing allows me to probe my real life on the page, but I get to get creative with how that happens. Do I keep myself on the page? Do I make myself a character? Do I put myself or my character in a fictional situation that communicates some sort of truth? I can do it ALL in poems, because poetry is that girl.

Leigh Stein, author of Self Care,What to Miss When, and other books, and the forthcoming If You’re Seeing This, It’s Meant for You (Ballantine, August 2025)

  1. I have a cosmic tantrum nightly between 1am and 3am when my brain is like, now is the best possible time to think about the future!

  2. My child self would think I've achieved the dream of getting to stay home every day and live inside my imagination.

  3. My fiction is where I feel the least inhibited, the most transgressive. Unlike in real, law-abiding life, you want to lean in to the question, Can I get away with this?

Candice Wuehle, author of Monarch, several poetry collections, and the forthcomingUltranatural(University of Iowa Press, March 2026

  1. I love the paradox in this term—how it's both huge and petty, how it's affect writ large, the human delivered through the sublime, the suggestion that we deliver ourselves to ourselves through fidelity to our emotions in the radical manner of a toddler. I love toddlers and their radical selfishness. Yes, I've had a cosmic tantrum. I won't elaborate...

  2. She'd probably think, “Called it.” I think I might be weird in that I've always expected to be pretty much what I am right now. At points when it felt like my life was peeling off into the wrong direction, I've felt indignation as opposed to dejection. I guess I'm saying I've been delulu til it's trululu since way back.

  3. I was just talking to my class about “In Praise of Navel Gazing” by Melissa Febos, an essay I turn to a lot. Febos discusses the power of language and articulation to make otherwise oppressed and disregarded experiences palpable and real. There's nobody researching cures for diseases that haven't been named. I think the more I name the world around me and my embodied experience, the more I transform reality itself.


Writing prompts

It’s not my usual newsletter time, so I don’t have all the usual bells and whistles, but I did think it would be fun to include a few “universally relatable writing prompts” (lol) from Cosmic Tantrum:

  • Write about a barely coherent explosive argument whose subtext made sense only decades later.

  • Write about powering a small electrical grid with the intensity of your emotions.

  • Write about how the phrase “It’s just good business” is wielded like an incantation that can nullify wrongdoing.

  • Write about wondering why a soul would choose to incarnate here, but loving when a poem devastates you.

If you end up writing something from these prompts, I’d love to hear about it!

(Tinkerbell, September 2021, helping me arrange the poem order for Cosmic Tantrum)

(Magus, her successor, coming in on the assist today to make sure the finished copies are good and stomped.)

Announcing Book Club Workshop!

I’m teaching a class, you guys

(cross-posted from my Substack)

One curiosity I’ve had since childhood is what it’s like to live another life, and the ritual that lets me do it is reading. I used to get a little carried away. (Apparently you’re not supposed to read novels at the dinner table, or during math.)

Fast-forward to my adulthood and reading still occupies most of my time. I’ve read thousands of published books by this point. Between client projects and my acquiring editor days, I’ve also read hundreds of not-yet-published books.

So many unpublished novel manuscripts (that have beautiful prose, interesting settings, and charming characters) feel like they’re missing some subtle, subterranean wiring. Readers can watch a character experience a big emotion but not necessarily feel invested or emotionally impacted ourselves—especially if we haven’t been primed to hope for or dread any specific actions or outcomes.

Plot points are satisfying when (forgive me)…they don’t just fall out of a coconut tree. When they exist in the context of all in which they live and what came before them.

I’m saying you can get tricky and go back and reverse-engineer that context.

You know who’s great at doing that? Poets! For poets, the structure of a work (how it is told) is essential to the meaning of the work. So when poets write novels, those novels tend to be cool as hell. They satisfy reader cravings for structure but often in unusual ways.

I could teach a class on this, I thought. Participants could read two different novels as part of a wider study on structure—and, through that study, create outlines for their own novels. A book club, but not a regular book club. A workshop, but not a regular workshop.

This idea has been turning over in my mind for months now. I made a syllabus but tucked it aside for a rainy day, then took

Esmé Weijun Wang’s excellent workshop on online workshops (more of her classes here) and decided that the time is now. (Thank you, Esmé!)

Book Club Workshop is born!

This first iteration is focused on novels by poets, specifically Monarch by Candice Wuehle (which I had the pleasure of acquiring and editing for Soft Skull Press) and Candelaria by Melissa Lozada-Oliva (which I had the pleasure of reading and enjoying). We’ll also talk about some poems, John Truby’s The Anatomy of Story, and Jane Alison’s Meander, Spiral, Explode.

Class meets on Zoom and starts August 13th. Candice and Melissa will join as special guests for the final class on October 22nd! (You could have a full outline in time for NaNoWriMo.)

~ * ~ Full deets here. * ~ *

I’d really appreciate help spreading the word if you can!

2022 publications, an end-of-year roundup

Watching the end-of-year lists roll in from authors I admire, on the one hand, I feel like I didn’t publish much this year: a few poems, a book review. But it was gratifying to see so many books I had a hand in finally enter the world as beautiful, tangible objects meeting a brand new audience of readers. It’s also been a year of beginnings. I launched a newsletter mid-year, and started a business. I think it’s easy to feel like things we can make happen for ourselves “don’t count” or matter less, but lately I’ve been thinking of lighthouses, how they send out a glow that helps people orient themselves and find the glow’s source.

I’m grateful to the online journals that published my work this year, and to the amazing authors whose work I had the pleasure of editing, and/or who I had the honor of supporting in-house at Soft Skull and Catapult.

High-Risk Homosexual by Edgar Gomez, published 1/11/22. This hilarious, beautiful memoir on fighting machismo and finding joy in queer spaces was reviewed in the New York Times, Los Angeles Review of Books, Lambda Literary, and On the Seawall, with other press at Entertainment Weekly, Vogue, TODAY, NBC News, the Los Angeles Times, and Oprah Daily,. And it’s sweeping the end-of-the-year best-of lists at Goodreads, HipLatina, Buzzfeed, and elsewhere.

I got to talk about High-Risk Homosexual at Publishers Weekly on 1/28/22, celebrating Edgar and their book being selected as an American Bookseller’s Association “Indies Introduce” title.

Path of Totality by Niina Pollari, published 2/8/22. This poetry collection, on the sudden and devastating loss of a child, is incredible. In a starred review, Publishers Weekly said “Pollari writes with straightforward, heartbreaking clarity. These poems are unflinching and powerful.” The New York Times selected Path of Totality as a best poetry book of the year.

MONARCH by Candice Wuehle, published 3/29/22. This novel, at the intersection of trauma psychology, Y2K aesthetic, and occult academia, received rave reviews at NPR (and was named an NPR best book of the year), ZYZZYVA, Chicago Review of Books, and the Wall Street Journal, with other press at NYLON, CrimeReads, Cleveland Review of Books, Luna Luna Mag, and Spin. MONARCH is also a contender in the 2023 Tournament of Books!

The Red Zone by Chloe Caldwell, published 4/19/22. This candid, funny, searingly honest memoir on PMDD was well received in reviews at the Washington Post, The Rumpus, Vol. 1 Brooklyn, and Full Stop, with other press at AutoStraddle, the Cut, Electric Literature, BBC, and Thinx, and more.

Two of my poems— “APPLICANT MUST HAVE” and “LOCAL BEAST, KIND OF A LITTLE BITCH, ACTUALLY” were published at HAD on 5/1/22.

I launched this newsletter, Curiosity & Ritual newsletter, on the summer solstice, 6/21/22 :)

Death by Landscape by Elvia Wilk, published 7/19/22. This essay collection on plants, fiction, journalism, boundary-blurring, and the anthropocene was reviewed (and starred!) at Publishers Weekly, the New York Times, The Nation, and The Atlantic, with other press at The Paris Review, n+1, LitHub, CRAFT, The Creative Independent, and BOMB.

Normal Distance by Elisa Gabbert, published 9/13/22. This poetry collection on paradoxes and the tragicomedy of needing always to contend with time was reviewed at Publishers Weekly, Ploughshares, and Poetry Foundation, with other press at New York Review of Books, The Atlantic, LitHub, Chicago Review of Books, and The Slowdown with Ada Limón.

Best Debut Short Stories 2022: The PEN America Dau Prize, edited by Yuka Igarashi and me, with winning stories selected by judges Sabrina Orah Mark, Emily Nemens, and Deesha Philyaw, published 9/20/22. Catapult published a roundtable interview with the judges and PEN America interviewed all twelve winning writers. Other press at Debutiful, Book Riot, and LitHub. An excerpt of the book—Yuka’s & my co-written intro—ran at Hobart.

My poem, “I Could Signal Dominance in Email Correspondence as Trained But the Concept Is Offensive and I’m Baby” was published at Hobart on 9/27/22, with many thanks to guest editor Taylor Byas.

After I dispatched my 9/21 newsletter, my beautiful friend Jeff Hinshaw invited me to record myself reading it for their podcast, Cosmic Cousins. The episode aired on 9/25/22.

The Tiger and the Cage by Emma Bolden, published 10/18/22. This softly fierce memoir on endometriosis and the misogyny of modern medicine received great reviews at Publishers Weekly, Kirkus, and LitHub, with other press at Shondaland, Motherly, Poets & Writers, BuzzFeed, Catapult, Electric Literature, Hazlitt, and Salon.

Annnd after ten years of freelance editing around whatever else I was doing, I officially launched my manuscript-consultation business as an LLC on 10/31/22, a nice Halloween birthday.

At the tail end of 2022, on 12/27, The Rumpus published my review of Elaine Hsieh Chou’s novel Disorientation, one of the best books I read all year.

See you all in 2023!

MONARCH by Candice Wuehle is out now, THE RED ZONE is out tomorrow!

Cover of MONARCH, a novel by Candice Wuehle. Cover design and animation by Michael Salu

MONARCH, the debut novel by poet Candice Wuehle, published on March 29th! The cryptic worlds of Hanna and Stranger Things mingle with the dark humor of Dare Me in this debut novel about a teen beauty queen who discovers she’s been a sleeper agent in a deep state government program.

This book is for anyone who digs witchy podcasts, Scary Stories to Tell in the Dark, The Body Keeps the Score, Stranger Things, Ultraluminous, Drop Dead Gorgeous, But I’m a Cheerleader, Women Who Run with the Wolves, Sabrina Orah Mark’s Happily column at the Paris Review, Pam Grossman’s Waking the Witch: Reflections on Women, Magic, and Power, as well as Initiated, the memoir by Amanda Yates Garcia, Oracle of LA, on trauma and finding empowerment through ritual.

NPR calls MONARCH “irresistibly weird…the kind of book that you want to start reading again immediately after turning the last page — not just to trace the conspiracy at its heart, but to appreciate how its kaleidoscope of beauty pageants, Y2K anxieties, famous dead girls, and deep state machinations synthesizes into an exploration of what makes up a self.”

Meanwhile, the Wall Street Journal praises it as “some curious brew of Robert Ludlum and Don DeLillo” and Chicago Review of Books says, “Wuehle is an artisan; one senses while reading her that she has absolute control over the page—could conjure any emotion or image with startling concision, no matter how surreal or uncanny.”

Candice was interviewed at NYLON and The Daily Iowan, and wrote a gorgeous, funny essay for CrimeReads on growing up in the crime-addicted world of the late ‘90s, and the power of The Joke. To get into the era, Candice recommended a list of 90s/Y2K books at LitHub. And if you want to hear what MONARCH sounds like, Candice made a playlist for you at Largehearted Boy.


"A deeply introspective novel with a notable metaphor for reinvention after trauma in the form of a weaponized pageant girl."—Kirkus Reviews

"Candice Wuehle had me at 'Jon Benet Ramsey.' The poet's new novel follows a former child pageant star as she discovers ties to her previous glory and a deep state government program. Add an occult wellness guru to the mix, a heaping of mommy issues, and a queer romance for taste and this might just be my ideal book. —Kerensa Cadenas, Thrillist

"Readers sturdy enough to peer into this glittering, multifaceted novel will find weaponized beauty reflected back." —Publishers Weekly

"Don DeLillo can only dream of being Candice Wuehle, who's wrenched the maximalist postmodern novel from the hands of old white men and given it an enticingly feminist spin. MONARCH is a smart, weird, funny gut punch, the kind of book that will blister your brain in the best possible way." —Rafael Frumkin, author of The Comedown

“This book is really quite sinister, and I mean that in the Latin sense—MONARCH takes the left-hand path through a chilling (and, if you're honest with yourself, quite real) landscape as Jessica, a decommissioned MKUltra-esque beauty queen, traces back to her origins as such. Along the way, she has to tell the true from the false, which can be difficult when you have a closet full of alters and a lot of gruesome off-label memories.

“Underneath it all is a question you can probably relate to even if you aren’t the progeny of a cryogenically preserved mother and a father who lectures on Boredom Studies: How do we know which of our reactions belong to us? How can we tell apart the conditioned self from the one we actually live with, especially when we've been trauma-trained into not looking too closely at certain facts? What happens when our frozen selves start to thaw? 

“If you've always been suspicious of the institutions of childhood, beauty, and sentimentality, this book is for you. If you crave a frosty narrative voice with the whip and torque of a bitchy gymnast, this book is for you. It will make you smarter. And it will also upset your schema for the world—but you'll be glad, I promise.” —Sarah Elaine Smith, author of Marilou is Everywhere

“In this riddled pageantric, insomniac, photographic, and university-infused world of eating disorders, triple suicides, astral projections, enigmatic bruises, and uncontrollable impulses, Candice Wuehle’s poetic and narrative gaze on everything she Midas-touches is eyelined, eyeshadowed, polished, Norwegian lip-penciled, and loose powdered with her devilishly inventive, singularly imaginative beauty and a devastating wry sense of humor. Her brilliance in MONARCH will lacquer, enamel, and wax you and turn your mind inside out like a monarch butterfly macerated in emulsion.” —Vi Khi Nao, author of The Vegas Dilemma and Swimming with Dead Stars

“A wise, unsettling, and multifaceted masterpiece, MONARCH succeeds on all levels—as a portrait of an endearingly dysfunctional family, as a shadow history of Y2K and the hidden power structure underlying and undermining contemporary life, and as a profound exploration of the extremely dicey prospect of being a self in a body in the world. Unless you’re hiding in an underground city or frozen in a kryokammer in the desert, you'll want to run out and get this one right away!” —David Leo Rice, author of The Dodge City Trilogy, Angel House, and Drifter: Stories


Out 4/19

Chloe Caldwell’s The Red Zone: a searching, galvanizing memoir about blood and love, and how learning more about her period, PMS, PMDD, and the effects of hormones on moods transformed her relationships—to a new partner, to family, to non-blood kin, and to her own body.

Chloe has a few upcoming events, spanning 4/19 – 6/26; full list here.

"Caldwell’s candor about all things menstrual is the greatest strength of this dynamic book . . . [W]omen who suffer from PMDD will take solace in the ups and downs of Caldwell’s journey toward self-acceptance, health, and love. The narrative may also appeal to anyone who suffers frustration and anger in the face of an illness for which they struggle to get an accurate diagnosis, a situation that disproportionately affects women. Provocatively intimate reading." —Kirkus Reviews

“Not since Elizabeth Wurtzel’s More, Now, Again have I been so obsessed with a book of nonfiction. I read The Red Zone in one day, in one chair, four cups of coffee, and after: a single cigarette. Obsessed.” —Elizabeth Ellen, founder/editor of SF/LD Books, author of Person/a and Her Lesser Work

“A coming-of-age memoir for those of us in our thirties who are still trying to come of age, Chloe Caldwell's The Red Zone is an incredible tale of vulnerability, family, and periods. As hilarious as it is heartfelt, and as informative as it is inspirational, here is as honest a tale of self-discovery—and eventual self-acceptance—as has ever been written. A bloody brilliant book.” —Isaac Fitzgerald, author of Dirtbag, Massachusetts

"The necessity and urgency of The Red Zone made me wonder how I—and any woman—had lived so long without it. Through the lens of PMDD and the female body, Caldwell refracts every issue imaginable, from relationships to hormones to queerness to stepmotherhood to blended families, all with hilarity, intimacy and depth. Feeling seen by this book is an understatement; it's a survival guide." —Zaina Arafat, author of You Exist Too Much

“Chloe Caldwell invites us to call shotgun on one of her most intimate, moving, and hilarious rides yet! Tinder, THC, Poshmark, WebMD, Prozac, diner eggs, ovulation—The Red Zone has all the highs and lows you come to expect in her delightful nonfiction. Plus her exploration of PMDD and being a stepmom offers a texture all their own. The Red Zone operates like a love story indeed on so many levels—we readers feel so loved turning every page of this gorgeous offering.” —Porochista Khakpour, author of Brown Album: Essays on Exile and Identity 

“Finally (finally!) someone wrote a book about struggling to understand your body and your heart and finding the answers on the internet. This book is moving, funny, and impossible to put down. Caldwell reveals the messiness of life in a way few writers can pull off.” —Chelsea Martin, author of Caca Dolce: Essays from a Lowbrow Life

The Red Zone: A Love Story is a period memoir as only Chloe Caldwell could write it, with warmth and particularity and charm. I smiled in recognition every few pages, read parts angrily aloud to my husband as though they were his fault, and laughed loudly enough at others to wake up my dogs. Yes, it's a love story, but The Red Zone is also an adventure, which may sound like a strange descriptor for a book about PMDD until you have experienced it through Caldwell's wry, piercing, fundamentally optimistic eyes. Both personal and communal, searching and exuberant, The Red Zone will speak to anyone who has been led by pain, curiosity, or misdiagnosis to become a detective of her own body.” —Kristi Coulter, author of Nothing Good Can Come from This